1917 Movie Reviews Ebert

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1917 movie review film summary 2019 roger ebert

1917 Is a Movie About the Horrors of War, Told With a Devotion to Beauty and Life. By Stephanie Zacharek December 24, 2019 8:52 AM EST A good movie can be built from any number of components: a.

1917 movie review film summary 2019 roger ebert

1917 Is a Visual Feat and a Bad Movie Sam Mendes’s war drama is designed to look like it was shot in two long takes. But this technical accomplishment is wasted on a soulless film.

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1917 is a powerful, patriotic, moral war movie set at the western front in France and Belgium during World War I. A British commander sends two soldiers, Blake and Schofield, across No Man’s Land through bombed-out areas to warn 1600 British troops on the front lines that they are heading into a German trap.

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1917 is a rattling wonder of form, an audacious undertaking that nonetheless bobbles or cheats on a few occasions. The one major cut in its real-time conceit serves a few plot purposes, I suppose.

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1917 is director Sam Mendes’ first film since 2015’s 007 picture, “Spectre,” and no doubt reaches the pantheon of respected war films.A Best Picture contender at this year’s Academy Awards, the film is a visual masterpiece, aided by the lens of 15-time Oscar nominee Roger Deakins, strong direction and an uncompromising look at No Man’s Land from the trenches of World War I.

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1917 is filmed through one apparent camera in one apparent take (cuts are artfully hidden here and there, making the film appear almost seamless). The camera follows Blake and Schofield through trenches, war-torn landscapes, skeletonized towns and scenes that seemed ripped right from medieval depictions of hell.

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1917 movie reviews & Metacritic score: At the height of the First World War, two young British soldiers, Schofield (George MacKay) and Blake (Dean-Charles Chapman) are given a seemingly impossible mi...

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1917 movie. Plot synopsis: Sam Mendes , the Oscar-winning director of Skyfall, Spectre and American Beauty, brings his singular vision to his World War I epic, 1917. At the height of the First World War , two young British soldiers, Schofield ( George MacKay ) and Blake (Dean-Charles Chapman) are given a seemingly impossible mission.

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Audience Reviews for 1917. Mar 25, 2020. Really a phenomenal achievement wherein a large scale film is based, au contraire, on a simple story: two soldiers during WW1 travel behind enemy lines to.

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Directed by Sam Mendes. With Dean-Charles Chapman, George MacKay, Daniel Mays, Colin Firth. April 6th, 1917. As a regiment assembles to wage war deep in enemy territory, two soldiers are assigned to race against time and deliver a message that will stop 1,600 men from walking straight into a deadly trap.

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Director Sam Mendes has found a way to breathe life into the war movie with a simple story, imaginatively told, in "1917," arguably the year's most impressive cinematic accomplishment.

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F or the opening of his 2015 Bond movie Spectre, director Sam Mendes (who won an Oscar for his first feature, American Beauty) mounted a memorable sequence set amid Mexico City’s day of the dead.

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Granted, it's not a new idea, but the concept of an extended single shot, whether the shot is meant to stretch for an entire movie, or just serve as the focus for an especially showy scene, still has the power to excite viewers on some basic level. “1917,” the new film from Sam Mendes, is the latest attempt at the feature-length single-shot.

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Many reviews of 1917 have described the film as unfolding in a single continuous take – but in fact there is one very conspicuous and pointed cut after an hour and five minutes, after which the.

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On 6 April 1917 — three years into World War I – two young British soldiers in northern France, Schofield (George MacKay) and Blake (Dean-Charles Chapman), are tasked with delivering a life.

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On June 28, 1914, a young Serbian nationalist assassinated the presumptive heir to the Austro-Hungarian throne, thus starting World War I. That, at any rate, is the familiar way that the origins.

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Roger Ebert is one of the most revered and respected film critics in journalism history. However, there are 10 otherwise-beloved titles that didn't get a thumbs up from the famous movie reviewer.

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S am Mendes’s 1917 is an amazingly audacious film; as exciting as a heist movie, disturbing as a sci-fi nightmare.Working with co-writer Krysty Wilson-Cairns, he has created a first world war.

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Sam Mendes' ambitious World War I film presents the harrowing odyssey of two British soldiers in one seemingly continuous shot. The only problem with 1917 is the teeth.As we now know from the.

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That tastefulness is a mark of the utter tastelessness of “1917,” a movie that’s filmed in a gimmicky way—as a simulacrum of a single long take (actually, it’s a bunch of takes that run.

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