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A restored print of Michelangelo Antonioni's 1966 thriller Blow-Up is to be the centrepiece of the inaugural Classic Cinema section at this year's Cannes film festival. Published: 28 Apr 2004 Blow.

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Blow-Up (1966) Full Movie New - Daily Motion. Caget1935. 2:15. Blow-Up movie (1966) - Vanessa Redgrave, Sarah Miles, David Hemmings. Teaser Trailer. 1:26.

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Blow-Up (1966) cast and crew credits, including actors, actresses, directors, writers and more.

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Blow-Up (1966) is writer/director Michelangelo Antonioni's view of the world of mod fashion, and an engaging, provocative murder mystery that examined the existential nature of reality interpreted and perceived through photography (and also via painting and pantomime). The central theme was that the mere presence of an observer of a phenomenon always altered the reality of the event due to.

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Blow-Up Critics Consensus. Exquisitely shot and simmering with unease, Michelangelo Antonio's Blow-Up is an enigma that invites audiences to luxuriate in the sensual atmosphere of 1960s London chic.

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Blow-Up Synopsis: A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. Then he meets a mysterious beauty, and also notices something frightfully suspicious on one of his photographs of her taken in a park.

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Blow-Up defies analysis by design, given that it's about an artist who makes messes and cleans them up only in part, leaving behind the splatter that interests him. Antonioni follows a similar methodology, making strict interpretations of Blow-Up pretty pointless, and certainly less enjoyable than soaking up the mod decadence and ennui.

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Blow-Up is a seductive immersion into creative passion, and a brilliant film by one of cinema’s greatest artists. In 1966, Michelangelo Antonioni transplanted his existentialist ennui to the streets of swinging London for this international sensation, the Italian filmmaker’s first English-language feature.

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Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's film Blow-Up released in 1966 on MGM Records. The album features performances by Hancock, Freddie Hubbard, Joe Newman, Phil Woods, Joe Henderson, Jim Hall, Ron Carter, and Jack DeJohnette.

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Blow-Up was responding to these contemporary explorations of the relation between photography, film, and memory and of the reliability or otherwise of photographic evidence. While it was in production, Vanessa Redgrave and her then husband, director Tony Richardson, helped finance Emile de Antonio’s film Rush to Judgment (1967), a critique of.

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Blow-Up, British-Italian thriller, released in 1966, that was the first full-length English-language film of Italian director Michelangelo Antonioni. It is one of the seminal films of the 1960s “mod” era. Blow-Up, which was inspired by a short story by Spanish writer Julio Cortázar, features David

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Blowup (sometimes styled as Blow-up or Blow Up) is a 1966 mystery thriller film directed by Michelangelo Antonioni and produced by Carlo Ponti.It was Antonioni's first entirely English-language film, and stars David Hemmings as a London fashion photographer who believes he has unwittingly captured a murder on film. The film also stars Vanessa Redgrave, Sarah Miles, John Castle, Jane Birkin.

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David Hemmings and Jane Birkin in Michelangelo Antonioni’s Blow-Up. The Warner Bros.’ DVD of Michelangelo Antonioni’s Blow-Up is amazingly crisp. The movie looks like it could have been filmed this year – and I say this having seen the last two Woody Allen efforts set in London. Equally amazing is that Blow-Up came out just a year after Roman Polanski’s black-and-white classic.

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Directed by Michelangelo Antonioni. With David Hemmings, Vanessa Redgrave, Sarah Miles, John Castle. A mod London photographer finds something very suspicious in the shots he has taken of a mysterious beauty in a desolate park.

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In Blow-Up [Antonioni] smothers this conflict in the kind of pompous platitudes the press loves to designate as proper to "mature," "adult," "sober" art. Full Review. Kim Newman Empire Magazine.

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M ichelangelo Antonioni’s films are driven by a mysterious, insular logic. When Blow-Up’s photographer protagonist, Thomas (David Hemmings), drives his sports car through a brown and dusty London streetscape that includes a brightly anachronistic blue building, one senses that Antonioni included the flourish pointedly, just as he purposefully included the red building that Thomas passes.

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